Everything else is of course completely trivial, and just like Sonarworks only emulates the NS10's to give you a hint what's gonna happen, the same thing happens with Fabfilter vs. Phase-cancelling also painfully showed that it's completely different on various aspects.īasically, if you want a proper digital room correction, use a proper room correction software. Tested all phase and latency modes in ProQ with the same results- Sonarworks pretty much annihilated this method both in EQ correction, phase and stereo image. Even though the curves in ProQ looked a lot like SW's own, this "poor man's tactic" still provided wrong information in the lower mids and even the stereo image wasn't clearly the same (despite correcting both channels separately). The results were somewhat close to the original correction SW provides, but that's where the similarities end. Having both SW and ProQ3, I became interested on this so I tested this with not just in one EQ curve but measuring both channels (because SW applies different correction per channel) separately with pink noise. You could also add more speaker simulations by hunting for IRs of speakers, or if you have something like Speakerphone, Futzbox use Pro-Q3 to capture those speaker IRs as well. Pro-Q3 has a zero latency mode, say none of the latency typically caused by Reference/Systemwide. There's a benefit to using Pro-Q3 for this over SW as well. That said since this is only an averaged simulation so it doesn't need to be perfect. Adjust the slider to use as many or as few EQ noes as you want, (More = more accurate.You'll should see a white graph start moving, wait for it to stop moving. Play pink noise into Pro Q3 with SW bypassed.Click the Reference menu and load your saved profile. Name it based on the speaker simulation you're capturing. Click the menu next to the record button that says Reference, and click Save input as reference spectrum.(With pink noise this shouldn't take more than a second or so.)
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